Here you can see that I have started to paint around the edges of the bird. ![]() This brush is selected automatically when you open the filter, so you just need to size your brush appropriately and start painting along the outer edges of your subject. We do this by using the "compute" brush, which we will use to paint a blue path along our subject to tell the filter where we want it to look for edges. What we want to do is define the areas that we want to delete, leaving only our subject. This is the area that the filter is going to keep. When the image is opened in ReMask, the entire image shows a green overlay. The next step is to select the Topaz ReMask 3 filter from the list. You do not want to have the layer mask selected or the filter won't work. Be sure you click on the image thumbnail of the layer before proceeding. Add a layer mask to this layer by clicking on the layer mask icon at the bottom of the layers palette. You can do this by dragging the layer to the "new layer" icon at the bottom of the layers palette. As a matter of routine, I always make aĬopy of the original layer. Would like to replace it completely with a different one. I have opened the image and we can see the problem - the background just has too many issues and we I am using links to the images because there are so many. It is very desirable, especially with bird and wildlife images, to beĪble to apply noise reduction and other filters to the background only and apply sharpening only to I'm sure you can find lots of other applications for this plug-in besides This capture is a perfect example of an image that can be "saved" by using an extraction Thanks to Nancy Bell for letting me use her wonderful shot of the Green-headed Tanager as anĮxample. This software is available for both PC and Mac and works with Photoshop CS3-CS5 and Elements 6-9. Usual disclaimers apply - I don't work for them or receive any other form It lasts for over an hour, but it's a great time saver as you negotiate its learning curve and embrace the art and craft of ReMask.Now that Topaz ReMask 3 has been released, I am posting this brief tutorial of this very useful I would recommend viewing its excellent video tutorial for its earlier version ReMask 4. ReMask tools are promising and impressive. That said, the program does grow on you, especially with less irksome masking challenges. This means investing your personal time to refine your mask. Masking requires planning, judgment and finessing. ReMask, within its limitations, works well, provided you manage its learning curve and are prepared for a few false starts along the way. Perhaps I could go back and keep the grassy shadow make it a bit transparent? The answer is that has to be done in another program like Photoshop or something with layers. ![]() One issue was how do I replace the missing shadow in ReMask? Shadows often make the difference between a credible and poor composite. I liked being able to blur and desaturate the background. Sort of.Īfter futzing with the background Jingo makes his rock star entrance. Yikes!Īfter about another two hours using the colour brush, I got there. I chose an orange instead of transparent background for a better viewĬlose up at 200% I could see grass and hair were embedded as part of the mask. Now we go to dual view and opt for a "keep" view with transparent background. Now we use the red fill to discard all the non-Jingo elements Initial load shows Jingo with everything to be kept via the Green TriMap. It took me about four hours to get there. Could I convert this image and make him appear like a rock star? I began with a good image of my dog in the park. This walkthrough demonstrates the strengths and weaknesses using ReMask, where I transform JIngo from a shaggy dog to a rock star.
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